MIKI NITADORI
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  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Community, Residency & Workshops
    • Samsara in Arcadia
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
    • Workshop & Conferences
  • Visual works
    • Hale 2010 / 2023
    • Odyssey : reflect Exhibition / Installation 2014-2020
    • Odyssey : reflect orginal works 2013 -2015
    • Odyssey : reflect artist book 2014 - 2018
    • A-lien Pacific 2018
    • Post-script 2013 - 2018
    • Gratitude 2017
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Catherine's Pier 2017
    • Transform part one 2010
    • Looking for "tree in the sun" 2010
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Combat exhibition 2008
    • Mini video 2007, 2010
    • Paradise lost 2000, 2005
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Participate & Collaborate
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Contact
  • Home
  • News
  • Profile
  • Artist statement
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Community, Residency & Workshops
    • Samsara in Arcadia
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
    • Workshop & Conferences
  • Visual works
    • Hale 2010 / 2023
    • Odyssey : reflect Exhibition / Installation 2014-2020
    • Odyssey : reflect orginal works 2013 -2015
    • Odyssey : reflect artist book 2014 - 2018
    • A-lien Pacific 2018
    • Post-script 2013 - 2018
    • Gratitude 2017
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Catherine's Pier 2017
    • Transform part one 2010
    • Looking for "tree in the sun" 2010
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Combat exhibition 2008
    • Mini video 2007, 2010
    • Paradise lost 2000, 2005
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Participate & Collaborate
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Contact
Picture
Mac Val, Mother & Son, 7 min, Photo: Miki Nitadori, Feb 2016
Picture
Mac Val, Husband & Wife, 2 min, Photo: Miki Nitadori, Jan 2016
Picture
Mac Val, welcoming staff, 5 min, Photo: Miki Nitadori, Jan 2016
Picture
Mac Val, Son & mother, 4 min, Photo: Miki Nitadori, Jan 2016

Timelesshugs at Mac Val

We began working at Mac Val (Musée d'Art Contemporain du Val-de-Marne) on November 2015 to February 2016.
Differently from our two previous works, we invited other people.
Initially, via an online dating site, from 1000 contacts, and many promises, we were able to have 6 participants. During this work, in November 2015, a terrorist attack happened in Paris. Timelesshugs was largely praised criticized in the following month. Some people felt that nothing could ever replace their loved ones and were very angry, others found timelesshugs a great conceptual work and what the society needed at that moment.
 
After the first interventions, we begin inviting other people to appropriate the actions. No matter how many people said they liked our work, finding participants was a difficult task. We invited friends, and also began inviting visitors on the spot, with the help of people who worked in the museum exhibition space.
 
Working in this museum was interesting, as it is mainly a place for people to see artworks. We had to find the way for the action to relate with this work and the space. From end of December onward, we decided that the form of timelesshugs should be mainly standing up, and sitting for the people who got tired during the action. The places that timelesshugs took place were decided with the participants. Many people were looking for an explication panel, and wondered if this was a work of art or they were accidentally, and uncommonly, seeing people behave like this. From the time of Mac Val, the audiences began to mimic the action of participants.
You may be interested in
Timelesshugs August to December 2015
Aloha Phantasm
timelesshugs Arles
A-lien cuisine
I am humility
slapping
One night in a gallerry
Mini dictionary of aqua-humility
timelesshugs January to February 2016
humility quest
Combat in progress
Timelesshugs Band stand

©Miki Nitadori 2022, All rights reserved
  • Home
  • News
  • Profile
  • Artist statement
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Community, Residency & Workshops
    • Samsara in Arcadia
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
    • Workshop & Conferences
  • Visual works
    • Hale 2010 / 2023
    • Odyssey : reflect Exhibition / Installation 2014-2020
    • Odyssey : reflect orginal works 2013 -2015
    • Odyssey : reflect artist book 2014 - 2018
    • A-lien Pacific 2018
    • Post-script 2013 - 2018
    • Gratitude 2017
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Catherine's Pier 2017
    • Transform part one 2010
    • Looking for "tree in the sun" 2010
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Combat exhibition 2008
    • Mini video 2007, 2010
    • Paradise lost 2000, 2005
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Participate & Collaborate
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Contact