MIKI NITADORI
  • Home
  • News
  • Profile
  • Artist statement
  • Visual works
    • Hale 2010 / 2023
    • Odyssey : reflect Exhibition / Installation 2014-2020
    • Odyssey : reflect orginal works 2013 -2015
    • Odyssey : reflect artist book 2014 - 2018
    • A-lien Pacific 2018
    • Post-script 2013 - 2018
    • Gratitude 2017
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Catherine's Pier 2017
    • Transform part one 2010
    • Looking for "tree in the sun" 2010
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Combat exhibition 2008
    • Mini video 2007, 2010
    • Paradise lost 2000, 2005
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Participate & Collaborate
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Community, Residency & Workshops
    • Samsara in Arcadia
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
    • Workshop & Conferences
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Contact
  • Home
  • News
  • Profile
  • Artist statement
  • Visual works
    • Hale 2010 / 2023
    • Odyssey : reflect Exhibition / Installation 2014-2020
    • Odyssey : reflect orginal works 2013 -2015
    • Odyssey : reflect artist book 2014 - 2018
    • A-lien Pacific 2018
    • Post-script 2013 - 2018
    • Gratitude 2017
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Catherine's Pier 2017
    • Transform part one 2010
    • Looking for "tree in the sun" 2010
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Combat exhibition 2008
    • Mini video 2007, 2010
    • Paradise lost 2000, 2005
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Participate & Collaborate
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Community, Residency & Workshops
    • Samsara in Arcadia
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
    • Workshop & Conferences
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Contact

A-lien Pacific 2018

A couple of years ago, Royal Doulton produced a porcelain series called “Pacific". My partner brought two mugs back, saying I would love this series. The plate was highly influenced by Japanese design, and referenced the Pacific ocean in which I bathed daily in my childhood.

The Pacific was my mother. Whenever I came back to the ocean, happy or unhappy, she enveloped me in her comfort.
It has long been my dream to work on European-designed porcelain imagining the Pacific - to bring in my own knowledge of Pacific, the Japanese-American immigrants and their decedents on the same surface, and to create a dialog between the past and present. Porcelain is a link between Asia and West; It was integrated into Western culture through the silk road. Porcelain is a material that seems fragile and yet is strong, representing the life force of these Japanese- Americans and many people who cross the sea to find a better life, a survival. History of objects teaches us that for centuries, Every culture was made of mixture of savoir faire of different countries. People are behind the techniques and knowledge. When we understand that there is nothing but a pretense to think a country needs to protect their own land from outsider.  Many things we use daily did not exist without other countries people and there is no unique country in the world and especially in Europe.

Transferred archive photographs from Lahaina, Maui , Hawai'i  onto porcelain series " pacific " Royal Doulton. size :16 cm & 23 cm, transferred and fired by V-ceramics ( Montreuil, Paris)
July 2018


A-lien ? ( A-lien pacific & A-line Cuisine, A-lien sewing)

In autumn 2017, I saw an interview with the Japanese-American writer, Karen Tei Yamashita. I was touched by her saying she feels close to aliens. After the attack on Pearl Harbor in February 1941, Executive Order 9066 was issued. From that moment onwards, Japanese-Americans were considered ”Enemy Aliens”. Until the end of the war, Japanese from the west coast to the Colorado river, plus Community Leaders, were put into ten internment camps.

When we separate ‘Alien’ into two words, “ A- lien”, in French it becomes “to link”. I personify this link, “A-lien”, because without it I feel as if I do not exist. This word fascinates me because it carries opposite meanings: to be a stranger and to link. Every culture develops because of foreign elements, and migrants contribute largely to the evolution of every aspect of it, from food to objects of daily use. It shapes the perceptions and understandings that become contemporary culture. As a development from my Odyssey : reflect project, I am currently working on three projects that involve food, porcelain and sewing.
You may be interested in
Odyssey : reflect Exhibition / installation
Some examples of original peices from Odyssey : reflect  series
Odyssey : Reflect
Odyssey : reflect artist book
Transform part one
Triumph
post-script
Combat : Manual for daily survival
transform origin
odyssey : reflect installation, extract reading & dance No no boy by John Okada (French)
Blond Ambition
Seesawspotting
interface

©Miki Nitadori 2022, All rights reserved
  • Home
  • News
  • Profile
  • Artist statement
  • Visual works
    • Hale 2010 / 2023
    • Odyssey : reflect Exhibition / Installation 2014-2020
    • Odyssey : reflect orginal works 2013 -2015
    • Odyssey : reflect artist book 2014 - 2018
    • A-lien Pacific 2018
    • Post-script 2013 - 2018
    • Gratitude 2017
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Catherine's Pier 2017
    • Transform part one 2010
    • Looking for "tree in the sun" 2010
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Combat exhibition 2008
    • Mini video 2007, 2010
    • Paradise lost 2000, 2005
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Participate & Collaborate
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Community, Residency & Workshops
    • Samsara in Arcadia
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
    • Workshop & Conferences
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Contact