MIKI NITADORI
  • Home
  • About
  • Artist statement
  • Contact
  • Workshop & Conferences
  • News / blah blah
  • Art Objects
    • A-lien Pacific 2018
    • Odyssey : reflect artist book 2014 - 2018
  • Visual works
    • Odyssey : reflect orginal works 2013 -2015
    • Gratitude 2017
    • Catherine's Pier 2017
    • Post-script 2013 - 2018
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Triumph 2004
  • Exhibitions & Installations
    • Odyssey : Reflect Exhibition / Installation 2014-2018
    • Combat exhibition 2008
  • Participative & community projects
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
  • Interventions & collaborations
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • I am humility 2015
    • one night in the gallery 2015
  • Written pieces
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
  • Older works
    • Interface 2010
    • Transform part one 2010
      • Transform origin 1895 - 1960
    • Looking for "tree in the sun" 2010
    • Combat mini video 2007
    • water field 1997, 2007
    • Paradises lost 2000, 2005
    • seesaw spotting 1997-2001
  • Videos
    • Odyssey : Reflect book
    • On Odyssey : Reflect installation, Rome 2016
    • Odyssey : Reflect Exhibition, installation walk 2016
    • What is timelesshugs? 2016
    • Timeless hugs: Call to the workers at Mac Val 2016
    • Timeless hugs: Call for participation, Arles 2016
  • project proposition
    • Ecology & waste
    • Textile as a form of Cultural heritage & Community
  • Research
  • Home
  • About
  • Artist statement
  • Contact
  • Workshop & Conferences
  • News / blah blah
  • Art Objects
    • A-lien Pacific 2018
    • Odyssey : reflect artist book 2014 - 2018
  • Visual works
    • Odyssey : reflect orginal works 2013 -2015
    • Gratitude 2017
    • Catherine's Pier 2017
    • Post-script 2013 - 2018
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Triumph 2004
  • Exhibitions & Installations
    • Odyssey : Reflect Exhibition / Installation 2014-2018
    • Combat exhibition 2008
  • Participative & community projects
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
  • Interventions & collaborations
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • I am humility 2015
    • one night in the gallery 2015
  • Written pieces
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
  • Older works
    • Interface 2010
    • Transform part one 2010
      • Transform origin 1895 - 1960
    • Looking for "tree in the sun" 2010
    • Combat mini video 2007
    • water field 1997, 2007
    • Paradises lost 2000, 2005
    • seesaw spotting 1997-2001
  • Videos
    • Odyssey : Reflect book
    • On Odyssey : Reflect installation, Rome 2016
    • Odyssey : Reflect Exhibition, installation walk 2016
    • What is timelesshugs? 2016
    • Timeless hugs: Call to the workers at Mac Val 2016
    • Timeless hugs: Call for participation, Arles 2016
  • project proposition
    • Ecology & waste
    • Textile as a form of Cultural heritage & Community
  • Research
Photo
Photo
Photo
Photo
Photo
All images 50 X75cm except central piece of BRIDE'S BRIBER 75 X 140cm. Diasec, edition of 8 (except UNDER THE SEA SAND, edition of 12). 1997-2001

Seesaw spotting

The internal scar
"The eye was in the tomb and was looking..." Victor Hugo                                

Can one photograph what is missing?

Even more difficult, can one from one's own story, express in an image what didn't take place?
Can what didn't take place never have a place?

Can one photograph what happened in a past that has not passed?


Oddly, 'yes', say these images, silently. For the eye naturally turned towards the outside world, only seems to be here to capture glimpses of the eternal present and witness another vision - an inner vision, buried in the past of the child we were, kept forever a prisoner of his eyes. This eye is the bridge that links the past and the present, the pain and the remission of a relentless wound.

And so a dialogue begins, not only between ourselves (the one we are and the one we will never be), but also we, the audience, ache to share a secret.

While some photographers have had the mad ambition to photograph the mind, Miki Nitadori show us the photographs that are like many stitches.  

 
Gaspard Delanoe

©Miki Nitadori 2020, All rights reserved
  • Home
  • About
  • Artist statement
  • Contact
  • Workshop & Conferences
  • News / blah blah
  • Art Objects
    • A-lien Pacific 2018
    • Odyssey : reflect artist book 2014 - 2018
  • Visual works
    • Odyssey : reflect orginal works 2013 -2015
    • Gratitude 2017
    • Catherine's Pier 2017
    • Post-script 2013 - 2018
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Triumph 2004
  • Exhibitions & Installations
    • Odyssey : Reflect Exhibition / Installation 2014-2018
    • Combat exhibition 2008
  • Participative & community projects
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
  • Interventions & collaborations
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • I am humility 2015
    • one night in the gallery 2015
  • Written pieces
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
  • Older works
    • Interface 2010
    • Transform part one 2010
      • Transform origin 1895 - 1960
    • Looking for "tree in the sun" 2010
    • Combat mini video 2007
    • water field 1997, 2007
    • Paradises lost 2000, 2005
    • seesaw spotting 1997-2001
  • Videos
    • Odyssey : Reflect book
    • On Odyssey : Reflect installation, Rome 2016
    • Odyssey : Reflect Exhibition, installation walk 2016
    • What is timelesshugs? 2016
    • Timeless hugs: Call to the workers at Mac Val 2016
    • Timeless hugs: Call for participation, Arles 2016
  • project proposition
    • Ecology & waste
    • Textile as a form of Cultural heritage & Community
  • Research