MIKI NITADORI
  • Home
  • About
  • Artist statement
  • Contact
  • News / blah blah
  • Workshop & Conferences
  • Art Objects
    • A-lien Pacific 2018
    • Odyssey : reflect artist book 2014 - 2018
  • Exhibitions & Installations
    • Odyssey : Reflect Exhibition / Installation 2014-2020
    • Combat exhibition 2008
  • Visual works
    • Odyssey : reflect orginal works 2013 -2015
    • Gratitude 2017
    • Post-script 2013 - 2018
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Triumph 2004
  • Curatorial projects
  • Participative & community projects
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
  • Interventions & collaborations
    • Tissu / Motifs Bethune-Bruay 2021
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • I am humility 2015
    • one night in the gallery 2015
  • Written pieces
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
  • Older works
    • Catherine's Pier 2017
    • Interface 2010
    • Transform part one 2010
      • Transform origin 1895 - 1960
    • Looking for "tree in the sun" 2010
    • Combat mini video 2007
    • water field 1997, 2007
    • Paradises lost 2000, 2005
    • seesaw spotting 1997-2001
  • project proposition
    • Ecology & waste
    • Textile as a form of Cultural heritage & Community
  • Research
  • Home
  • About
  • Artist statement
  • Contact
  • News / blah blah
  • Workshop & Conferences
  • Art Objects
    • A-lien Pacific 2018
    • Odyssey : reflect artist book 2014 - 2018
  • Exhibitions & Installations
    • Odyssey : Reflect Exhibition / Installation 2014-2020
    • Combat exhibition 2008
  • Visual works
    • Odyssey : reflect orginal works 2013 -2015
    • Gratitude 2017
    • Post-script 2013 - 2018
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Triumph 2004
  • Curatorial projects
  • Participative & community projects
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
  • Interventions & collaborations
    • Tissu / Motifs Bethune-Bruay 2021
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • I am humility 2015
    • one night in the gallery 2015
  • Written pieces
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
  • Older works
    • Catherine's Pier 2017
    • Interface 2010
    • Transform part one 2010
      • Transform origin 1895 - 1960
    • Looking for "tree in the sun" 2010
    • Combat mini video 2007
    • water field 1997, 2007
    • Paradises lost 2000, 2005
    • seesaw spotting 1997-2001
  • project proposition
    • Ecology & waste
    • Textile as a form of Cultural heritage & Community
  • Research
Odyssey : Reflect exhibition & Installation, 1-5 at Ancien Musee de Peinture, Grenoble, France 2020, 6, at Galerie Collectif E3, Arles, France, 2018, 7-11 , at Galerie Hugs, Paris, France, 2014 , 12,13 at the Loft, Photo Leggendo Festival, Rome Italy, 2016( sponsored by instituto Giapponese di Cultura / The Japan foundation in Rome.) .
Since 2014, Odyssey : reflect started to take the form of an installation: collage, transparency and sound. The first collage took place in Passage Dieu, Paris on 3.5 x 10m wall collage. Every installation I consider space and how these works can interact with them.  As the work is historical and contemporary, individual and group, I think it is a better way of showing the richness of the work by mixing the diverse materials that interacts with light and sound with the movement of public.  Andrew Matthews created two sound pieces, “Air” and “Water” based on interview recordings I made with people on Maui. For the exhibition in Rome in 2016, there were two different levels and spaces. I worked with this unique space as experienced from these different heights and perspectives.

The presentation video of Odyssey : Reflect installation / exhibition at Loft,  foto legenddo photography festival , Rome, Italy, FP Mag 2016
The video edited by Andrew Matthews who made the sound collages Air & Water for Odyssey : Reflect.
Gallery footage : Marco Rappaccini 2016

©Miki Nitadori 2022, All rights reserved
  • Home
  • About
  • Artist statement
  • Contact
  • News / blah blah
  • Workshop & Conferences
  • Art Objects
    • A-lien Pacific 2018
    • Odyssey : reflect artist book 2014 - 2018
  • Exhibitions & Installations
    • Odyssey : Reflect Exhibition / Installation 2014-2020
    • Combat exhibition 2008
  • Visual works
    • Odyssey : reflect orginal works 2013 -2015
    • Gratitude 2017
    • Post-script 2013 - 2018
    • Blond Ambition 2008
    • Combat : Manual for daily survival original works 2003 -2008
    • Triumph 2004
  • Curatorial projects
  • Participative & community projects
    • Timelesshugs: August - December 2015
    • Timelesshugs: January - February 2016
    • Timelesshugs: Arles 2016
    • Timeless hugs: Bandstand
    • Combat in progress 2008
  • Interventions & collaborations
    • Tissu / Motifs Bethune-Bruay 2021
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • I am humility 2015
    • one night in the gallery 2015
  • Written pieces
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
  • Older works
    • Catherine's Pier 2017
    • Interface 2010
    • Transform part one 2010
      • Transform origin 1895 - 1960
    • Looking for "tree in the sun" 2010
    • Combat mini video 2007
    • water field 1997, 2007
    • Paradises lost 2000, 2005
    • seesaw spotting 1997-2001
  • project proposition
    • Ecology & waste
    • Textile as a form of Cultural heritage & Community
  • Research