MIKI NITADORI
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  • Home
  • News
  • Profile
  • Artist statement
  • Visual works
    • Odysssey : reflect
      • Odyssey : reflect Exhibition / Installation 2014-2020
      • Odyssey : reflect orginal works 2013 -2015
      • Odyssey : reflect artist book 2014 - 2018
      • Post-script 2013 - 2018
      • A-lien Pacific 2018
    • Combat : Manual for daily survival original works 2003 -2008
      • Combat exhibition 2008
    • Blond Ambition 2008
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Imprint for living : love and loss
      • Hale 2010 / 2023
      • Gratitude 2017
      • Catherine's Pier 2017
      • Transform part one 2010
        • Transform origin 1895 - 1960
      • Looking for "tree in the sun" 2010
      • Interface 2010
      • Paradise lost 2000, 2005
      • Mini video 2007, 2010
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Community, Residency & Workshops
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Samsara in Arcadia
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
  • Participate & Collaborate
    • Timelesshugs
      • Timelesshugs: August - December 2015
      • Timelesshugs: January - February 2016
      • Timelesshugs: Arles 2016
      • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Workshop & Conferences
  • Contact

Drawing five

3/8/2022

 
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    All the blah blah with some process and try outs that is part of my creative process, and life as an artist.

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©Miki Nitadori 2022, All rights reserved
  • Home
  • News
  • Profile
  • Artist statement
  • Visual works
    • Odysssey : reflect
      • Odyssey : reflect Exhibition / Installation 2014-2020
      • Odyssey : reflect orginal works 2013 -2015
      • Odyssey : reflect artist book 2014 - 2018
      • Post-script 2013 - 2018
      • A-lien Pacific 2018
    • Combat : Manual for daily survival original works 2003 -2008
      • Combat exhibition 2008
    • Blond Ambition 2008
    • Triumph 2004
    • seesaw spotting 1997-2001
    • Imprint for living : love and loss
      • Hale 2010 / 2023
      • Gratitude 2017
      • Catherine's Pier 2017
      • Transform part one 2010
        • Transform origin 1895 - 1960
      • Looking for "tree in the sun" 2010
      • Interface 2010
      • Paradise lost 2000, 2005
      • Mini video 2007, 2010
    • project propositions
      • Ecology & waste
      • Textile as a form of Cultural heritage & Community
  • Community, Residency & Workshops
    • Writing of light
    • Combat: lockdown
    • Aloha
    • Creating an exhibition
    • Samsara in Arcadia
    • Tigers, lions, dragons, dolphins, rising sun and beautiful moon shining
    • Big scare
    • Combat: Iolani
    • One boy and twenty girls
    • Sing & See
  • Participate & Collaborate
    • Timelesshugs
      • Timelesshugs: August - December 2015
      • Timelesshugs: January - February 2016
      • Timelesshugs: Arles 2016
      • Timeless hugs: Bandstand
    • Combat in progress 2008
    • A-lien cuisine 2018
    • Aloha Phantasm 2015
    • Humility Quest 2014
    • one night in the gallery 2015
    • Mini dictionary of aqua-humility 2015
    • Slapping 2015
    • Slurp piece : Eat noodle or die 2015
    • I am humility 2015
  • Organization & Curation
    • Photography?Why?
    • L'anti chambre
    • Watashitachi-Nous
    • Tohoku
  • Workshop & Conferences
  • Contact